This is the second illustration in the ongoing collaborative project between myself, Jessica Doyle and writer, Christopher DeWan. You can see the first illustration in the previous blog post. There will be between 18 and 24 illustrations in all. I have bolded the section of text from the story below that is illustrated in the art above.
- Paper Size – 12 by 12 inches
- Professionally printed with archival Epson inks on Epson fine art paper
- Print is dated, numbered, signed and titled
- Will arrive with a certificate of authenticity
- Edition of 100 only
The Waitress by Christopher DeWan
There’s what you are, on the one hand; and on the other, there’s what you think you can be.
No, let me put that another way: there is what you are, essentially, in your heart—the sum of all your capabilities; and on the other hand, there’s the smaller set of what you’ve realized to date. There is You the Greater and You the Lesser. You whole, and you fractured.
Some people believe that you, the “real” you, is the lesser one—the tally of what you’ve achieved. “What do you do?,” we ask each other at parties. “I’m a salesman,” we answer, deftly swapping a verb of action with a verb of being.
Other people believe that you, the “real” you, is that farther-away idea: “I’m a waitress and an actress, but I also want to direct.”
You smirk when she tells you this. “She’s a dreamer,” you think. “She’s a cliché.” (And these things, too, might be a part of who she “really” is.) But clichés are lazy shortcuts, a rubber-stamp version of the truth: the outline is correct and familiar, but the details are missing. The details are the essence. The details are the differentiators. In the mind of this waitress, what she wants to do is more significant than what she is doing. To know her is to know that she wants to direct. To know her is to know that she is a bundle of potentialities, and to know which potentialities.
[When robots can bring us coffee at restaurants, then we’ll all be free to act and direct.]
[When we fall in love, is it not with a person’s wants and with their potentialities?]
It is our dream that distinguishes us—the dream, and the degree to which we are willing to chase it: the degree to which we believe we are not the man sitting in the desk chair at the office, day after day after day. No. Rather, we are the brilliant burst of light, looming just on the other side of the horizon. We eagerly, lovingly chase ourselves, to find ourselves.
And a note on the mediums I’m using to create these The Waitress series of illustrations; Faber Castell Pitt Artist Pens, Winsor & Newton Watercolor, Prismacolor Verithin Penicl Crayons and a white Derwent oil based pencil. The first illustration was created on Arches Watercolour paper with this one being created on a beautiful cream textured stock… that I bought in 1994 and can not for the life of me remember what the name of it is.